01
Dry-sea concept
Co-developing the film’s defining environment with Fernando Meirelles, Ernesto Solis, Rodrigo Pesavento and Tulé Peake.
Feature film · 3D supervision & environments
Corrida dos Bichos
3D Supervisor, lead environment artist and concept artist for the dry sea.
FieldEntertainment
FormatFeature film
Role3D Supervisor · Lead Environment Artist
Supervising the 3D department while helping shape and build one of the film’s defining environments: a Rio de Janeiro after the sea has receded.
02
The work
As 3D Supervisor on Corrida dos Bichos, I led the team through environment development and shot production — establishing priorities, reviewing the work and maintaining visual consistency across the project.
I also worked hands-on as the lead environment artist, developing the film’s key scenarios alongside the wider team. One of my central contributions was co-developing the dry-sea concept in close collaboration with directors Fernando Meirelles, Ernesto Solis and Rodrigo Pesavento, and production designer Tulé Peake.
03
Scope
How I contributed
02
Lead environment artist
Building key scenarios hands-on and guiding their development with the environment team.
03
3D supervision & team leadership
Leading reviews, priorities and visual consistency across the day-to-day work of the 3D team.
04
Development
Selected processes
Concepts, environments, characters & drones
Development reel
05
Selected frames
Image work
